| 1.
WORKING
IN THE BOOT & SHOE INDUSTRY (2/3) |

Station Road
Then
I went into the higher classes in the same building. Mr. Taylor was
the headmaster and Mrs. Mills was the teacher, and if you didn't do
anything right you were sent to Mr. Taylor and you knew what you
were going to get - hand out, the cane. I know I've had the same and
I went home and told my mother and she said, 'Well you must have
been doing something else or you wouldn't have had it.' You didn't
get no sympathy off your mother.
I
can't remember any serious illness but if I had a cold one of my
aunts would put a brown tallow on a brown paper and slap it on my
chest. It were cold - it used to be horrible. It cured it!
He (dad) as far as I know, worked for Parson & Sherwin in
Station Road and then went to the coalmine. Parson & Sherwin was
iron ironmongery, tools and everything like that. Then he got a job
at the mines in Nuneaton, that made us leave. As my older brothers
left school they came to work at Hinckley. I wanted the
carpentry.
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I used to
go two days a week to the woodwork school but when I left school my
father couldn't afford to put me at it, five shilling (25p) a week
as an apprentice for five years, so I had to go and get a job then.
I drew my first weeks wages before I was 13.
I came to
Hinckley to work at Johnson's boot and shoe factory - I went in the
clicking. I thought to myself, I've got to give up the carpentry so
I might as well go into this trade, so I learnt the clicking right
through, right through cutting swains down for the vamp (the top of
the shoe). It were a thin material, woolly one side, material on the
other. We had to dip it in this paste and then put it on the vamp.
The foreman, he used to sort them out you see, it'd be the flimsiest
vamp what I should have to put the swains down on.
I went from
that onto fitting cutting - that was the lining of the shoe. I
worked hard on that and when I'd been on it for about two year and
the foreman brought me some leather skin and I had to cut the
pattern. They shifted me from where I was next to an experienced
man, you see, so I'd get the idea from him. He'd watch me, how I
worked the skin up and the art of cutting that skin up was making
less waste. I took the vamps up the backbone of the skin and worked
the quarters - that's the leg - up by the side of the vamp, or if
you were making boot style you'd work that on the outside as well,
so you got the worst part of the leather on the back you see, so the
back strap covered a lot of it when it were stitched up. And that
were the art of clicking - cutting the skin up so you made less
waste - what they call, you know, good costing.
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